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The whole point of this exercise was to see if I could paint a background with watercolor and acrylic, then run it through the inkjet printer, and this is where I'm less pleased with the results. After the acrylic dried, I used a foam brush to apply a layer of inkAID semi-gloss precoat (as directed in Digital Art Studio by Schminke, Krause and Lhotka). The inkAID is fairly viscous, and the watercolor smeared when I tried to even out the layer. When I didn't try to even out precoat layer, it dried very glossy in spots. The paper was quite bowed when it dried, so I let it sit overnight underneath a large weighted marble tile.
My test print was created in Photoshop using a few digital brushes. The butterfly, dragonfly and plant images were stamped at 100% opacity, while the two water spots were done at 65% opacity and flow. I wasn't sure how my little Canon printer would handle 140-lb watercolor paper (especially with a little residual curl), but it printed quite nicely. The print head caught the edges a wee bit, but trimming 1/8" from each side would take care of that.
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I hope that was interesting and useful. Wishing you a wonderful weekend of art!
Hi - just dropped by from stitchin' fingers and really like your backgounds. Also Paint and Pixels - what a cool name.
ReplyDeleteHi, Jane! Thanks for stopping by. We've had snow all week so I'm staying inside and keeping busy. :-)
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